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humanbydefault
2nd degree Black Belt

Join Date: Jun 2005
Posts: 326
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11-02-2005, 12:14 PM
Post Oops! ... [part Two]

PART TWO


LEARNING HOW TO PLAY ON MY PIANO


Q. What is the true meaning of each single “key” or “note” inside a given scale?
A. POTENTIAL for the actual existence of an “atomic oscillator.” What I mean by potential here is nothing more than a POSSIBLE place to insert a new “rung” to the “ladder” [atom]. As any regular ladder you know it could only be ONE RUNG built at the same level.
Pay close attention to this part because it is crucial to comprehend not only my theory, but also “Shell theory” in ways never told to any one before. Imagine that you were faced with an invisible ladder. The fact that a musical note could reach a level of “musical perfection” including a wide range of related harmonics does not automatically means that it has to be that way always. The human voice is rich in harmonics but each one is different just as our own personal fingerprints. The same phenomenon is happening in MATTER too. Hydrogen is so primitive in its scales that could only have ONE NOTE [the very first key to the very left of each scale]. When the first “key vibrates,” such resonance extends across further scales to the right. One note [proton] also vibrates and therefore in the next scale one single note [electron] also does the same. There are other scales to the right of the “electron scale” which is sad to say, they are presently ignored and its roll has been wrongly blamed on a virtual wave-function “own by electrons” while performing “tunneling”… To avoid complications, let’s leave this topic for a future discussion.
This is the reason why hydrogen has always been considered by earlier physicists as “piece of cake and it is still one of the atoms more studied in labs worldwide… Scientists have been dealing with the simplest piano there is in the entire creation! A pathetic one-note little piano!
Louis De Broglie was so right! He was the first to realize that standing waves were the only plausible explanation to why ENERGY was quantized by the limitations imposed by the existence of such pattern.
But he was stopped in the middle of the road to discovery when he chose to ignore the hidden origin of those patterns of interference. He lived in a world that has refused to revise [at least yet] the concept of “particles.” Others after him have continued to “see” the atom as a bunch of different “particles” with an ELEMENTAL nature given to them by some human-made “standard theory.” My work not only explains the true origin of those “standing waves” “visualized” more than a century ago by the French physicist but also the true essence of MASS and its important roll inside the atom. The atom of hydrogen is the “building block” [the first “piano key”] of every single and more complex atomic structure found in the universe for that matter.
More complex atoms are the result of BONDS taking place at each and every scale from left to right in that hypothetical piano of mine. Those BONDS are the reason for being for NEUTRONS, isotopes, molecules and crystals we call matter. Our piano is constantly playing a non-stop melody called existence and light is an indisputable evidence of that process.
Q. What happens when two or more “energy families” rearrange themselves in one single structure?
A. A BOND is formed! In other words, a perfect ENERGY match would be reached at a specific level inside a given scale where a bond happens to take place. The BONDING process will guarantee a new structure based on the spatial projection of the SUM of all POTENTIAL (invisible ladder rungs) of both “energy families” together. A more complex energy configuration will also be “spread” across further scales. This is like incorporating more ‘keys” to every single scale in a less primitive piano. As more and more “energy families” incorporate into the first structure [the “backbone” or hydrogen atom] more POTENTIALS [rungs of the invisible ladder] and also new BONDS will join together. First isotopes, then molecules and later more complex molecules will form, making our initial primitive piano to be part of the orchestra of MATTER and LIFE. As in a regular piano, no two keys could occupy the same place. It won’t make any sense to include two keys that would produce the same note… A smart move don’t you agree?
Think about what I’ve just said above! A SUM of POSSIBLE (and invisible) rungs of two or more ladders [with equal length] attached to each other at different points...!
What do we have? THE OVERLAPPING OF HARMONICS! In other words, electronic sub-shells overlapping just the way observed in previous spectroscopic measurements.
Sub-shell overlapping was never a matter of a capricious configuration on the part of the universe with the only purpose to make us feel confused and intellectually small. I blame precisely those OLD CONCEPTIONS frozen in time for our present miseries both in the theoretical field and in no lesser degree in the philosophical side of science.
(... and next, the conclusion)
HUMANBYDEFAULT
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