[humanbydefault]

PART THREE

The process of integration as a result of the association [nucleonic bonding] between “energy families” is a two-way “road.” When the nucleus emits energy suffering from a form of decay the harmonic structure of the whole atom is also restructured into a new element. With an entirely new configuration an atom could gain or loose “keys” changing the design of its scales from the very point where the mutation took place to the very last scale to the right. If a change has taken place inside the nucleus of the atom is easy to understand why the entire electronic configuration would also reflect those exact changes. Do not forget that the very existence of the first scale [the first scale to the left] will determine the further existence of the others. In a regular piano the scales and their keys are physically part of it in a permanent way. However, If we assumed the scales of our hypothetical piano to be SPATIAL PROJECTIONS instead of GIVEN PHYSICAL ENTITIES, then a removal of a key located to the very left of the piano will cause an instantaneous “vacuum” inside the harmonics structure. Not just every single octave of the key being removed but with them the POSSIBILITIES (or rungs of the invisible ladder) will also be GONE.
Q. What are those rungs that you mention so often?
A. HARMONICS included after each new “energy family” joins the atomic assembly. In SHELL theory experiments carried on the spectrum of scattered radiation from the atomic nucleus proved that a similar structure found in “electronic orbits” were also observed inside deeper levels. My theory proposes the mechanism for such conclusions. Instead of a wide range of “elemental particles” with different mass, internal energy, charge and polarity I proposed instead an integral structure built upon the bonding of “energy families” where there was just ONE ENRGY and ONE PATTERN involved. An atom where MASS was nothing more than inert ash which presence was required to prevent the occurrence of a perfect vacuum. It’s precisely the unavoidable presence of MASS what’s make light and electricity possible.
If you happened to pay attention to standing waves before, you would probably realized that the result of two confronting waves were able to produce a sort of spinning wave. The resulting spinning wave was not present before the interference between the two original ones however the consequences of its appearance would certainly make a different in the fabric of the universe. Space could be thought as a big scenario were ENERGY (E-M energy and heat) along with MASS could play along as long as any form of those mentioned above honors this vast scenario with its presence. There is no place in this universe [no matter how tiny] where we could find a PERFECT VACUUM. Inside the atom (according with my theory) the highest radiation energy ever imagined found refuge from total extinction and a slow dissipation into heat by doing the logical thing to do: confronting its own kind and redirecting its dissipation upon themselves. Sound is a perfect example of the phenomenon. If there was a place on Earth with perfect acoustic requirements [with no dissipation or absorption of energy carried on each vibration whatsoever] an endless and continuos standing wave would imitate a current circulating in a super-conducting wire. It is the (impossible) goal for a perfect saving of energy what allows the existence of atoms, matter and ultimately life in its infinite forms.
Back to our hypothetical piano… If we managed to replace the spinning MASS imposed by the universe on space by other forms of energy, E-M energy for example, we would intentionally allowing the instantaneous absorption of ENERGY and the removal of MASS inside those patterns of interference [the keys of our piano]. Just as the energy used to “play a key” in a regular piano was transformed into sound, a quantified magnitude of E-M energy will see itself TRANSFORMED [re-modulated] into a new wave in accordance with the “sound” of the given note “being played.” It’s worth noting that the required ENERGY has to MATCH the magnitude of MASS previously spinning inside the pattern… No more and no less!
At this point I believe that a very important point must be clarify. Less energy will cause the original ENERGY [E-M energy] to be rejected. More ENERGY [but not much of it] will cause either a scattering of a new quantum or a total balance of energies inside the HARMONIC. This point is very important to understand eventually when optimal conditions are favorable for TUNNELING and its future applications in a concept called “quantum dot.”
I have said that in order to manufacture one “electron charge” we need to fulfill the following two requirements:
1- That the net E-M energy supplied to the atom was a perfect match of the MASS spinning inside a given harmonic. Since MASS is the actual capacity for energy modulation inside the atomic oscillator we have no other choice but to comply with this condition.
2- That there was a “escape path” for MASS to go to. If the case mentioned above does not meet this important condition the E-M energy would be rejected at once. It shouldn’t be a problem [in my personal opinion] to understand my point. The atoms of carbon in the crystal of diamond [for example] are bond in such way that MASS has no “room” available to reach the outside vacuum eventually allowing ENERGY to occupy its place during the modulation process.
With these final conclusions I’ll end this posting. This article is an important piece and material evidence of my theory. It will be sent for copyright purposes as well as most of my previous work. It is my hope that you have gain some insides into a new interpretation of our reality, a new vision that will open your imagination into the deepest secrets of the unknown.


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