A good example of a participation universe is a Shakespearean play limited to the confine of a theatre with its stages of actors composed of certain numbers of protagonists and antagonists surrounded by the gallery of spectators. The normal uninterrupted continuation of a play following the steps by steps sequence of the scripts usually progresses as the plot thicken where and when the protagonist and the antagonist are constantly at each other’s throat. The play almost always ended with someone being the victor and the other being the vanquished. Depending which side the audience were rooting for, their responses at the very end could be a standing ovation, a cry of misery, a sigh of relief, a scoff of disagreement, or a boo of disappointment.
With the exception of a soliloquy, the minimum numbers of participants in a play is three, one protagonist, one antagonist, and one spectator. The spectator usually plays the part of a passive observer. The protagonist plays the part of the good, and the antagonist plays the part of the bad. For a perfectly balanced play, every action of the protagonist corresponds to an equal opposite reaction of the protagonist. This dynamic equilibrium allows the play to continue forever unless the spectator decided to break this impasse. Seemingly, the physical universe does not exactly correspond to this state of dynamic equilibrium between ordinary matter and antimatter with the space-time continuum being the singular spectator. However, if the protagonists are the different forms of energy and the antagonists are the different forms of matter, then the spectators are the space-time charges of the quantum vacuum fluctuations of the squares of zero-point energies. In this sense, matter represents the oddness, while energy represents the evenness of squares of energy. Together with quantized space-time spectators, these represent the three fundamental stages of the participation universe. Moreover, the oddness of squares of energy allows matter to be separated into ordinary matter and antimatter, while the evenness allows only positive energy to come into action or reaction of opposite quantized directions such that for every direction there is an equal but opposite direction. Nevertheless, there is always only one director. And for the first time in the history of the Academy Awards, the 82nd Oscar for Best Director was awarded to a woman by the name of Kathryn Bigelow.


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